Tag: Janet Haley
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Review: Fantastic adaptation of “The Fantasticks” celebrates a new perspective
By Patsy Isenberg and Tom Travis A festive conclusion of The Rep’s final presentation of the season, The Fantasticks, opened to an appreciative full house Friday, June 3. The iconic musical is the longest-running production in the history of the American stage and one of the most frequently produced musicals in the world. The Rep’s…
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Flint Repertory Theatre makes history with an LGBTQIA+ take on the world’s longest-running musical
By Tom Travis The Fantasticks, the world’s longest-running musical, is being produced by Flint Repertory Theatre this summer, June 3 to 19. But there is an unusual plot twist in the Rep’s production that will make theatre history: A fresh new rewrite with an LGBTQIA+ focus by the show’s original book writer and lyricist, Tom…
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Review: One weekend only of The Rep’s first show, an absurdist comedy, reminds audience of humans’ dark predicaments
By Patsy Isenberg The Rep made a surprising choice for the first play of the 2021-22 season. It was the absurdist comedy, “Happy Days,” a two-act play by Samuel Beckett, written in 1961. Theatre of the Absurd “Theater that seeks to represent the absurdity of human existence in a meaningless universe by bizarre or fantastic…
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Flint Repertory Theatre returns to the stage Oct. 8 with Beckett absurdist comedy
By Patsy Isenberg After eighteen months of no live theatre indoors in Flint, the Flint Repertory Theatre (The Rep) begins its 2021-2022 season with a production of the absurdist comedy “Happy Days.” The play opens with an 8 p.m. Oct. 8 performance, with a run of eight more performances through Oct. 17. All audience members…
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Review: For coronavirus “Cuckoo’s Nest,” the uneasily relevant show went on — and then got cancelled
By Patsy Isenberg It’s ironic how in sync “One Flew Over the Cuckoo’s Nest” at Flint Repertory Theatre’s (The Rep’s) Elgood blackbox stage last Friday (the 13th, as it happened) echoed how it seems so many of us were feeling that day. It was the opening night for the show. I kept checking the theatre’s…
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Review: The Rep’s “Glass Menagerie” honorably recreates the classic’s poignant memory-scape
By Patsy Isenberg “The play is memory. Being a memory play, it is dimly lighted, it is sentimental, it is not realistic. In memory everything seems to happen to music. That explains the fiddle in the wings. I am the narrator of the play, and also a character in it. The other characters are my…
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